Sew… Let’s Talk!

A brief recap of my interview with Joanne Banko

On Monday, June 28, 2021 I was invited to guest-Zoom with Joanne Banko on her new channel, Sew… Let’s Talk! We had a wonderful conversation about sewing, my favorite sewing machine feet, a quick tour of some my sewing space storage and some of the samples I made for The Book (Creating Couture Embellishment). I could talk to Joanne for hours. She’s engaging, curious, well informed about sewing and sewing related topics and just plain Nice! You can find the recorded/YouTube version of our conversation here.

Joanne and I met in Cleveland OH during a taping of It’s Sew Easy, series 1500. Joanne was filmed after me, but was there for my filming to help set up the Brother sewing machine for the Sashiko technique. (You can see my post about that experience here.) Joanne and I both belong to Craft Industry Alliance, which you can find here, so we get to wave and briefly chat at the monthly Roundtable Zoom meetings.

 

So… the samples I showed to Joanne and her subscribers started with a simple sleeve with gathered ribbons adorning the hem and then black velvet sleeve with pink-gold trim couched down the length. (I’m not adding photos of the sleeves to this post as I hope you will watch the YouTube interview. The sleeves start at 26:44.) Next we talked about changing the hemline of a sleeve and adding trims to accent that change: the silver sleeve with dark green trim and the grey short sleeve with sequin trim. From there we looked at using both sides of a fabric: shiny & matte finishes on a piped sleeve and a jacquard weave with an added single feather. We also looked at using both sides of a trim. Using both sides of a fabric or a trim is easy because the colors always match. We always have long discussions about which colors “work together” in our house as we each see colors very differently.

From the website of Optical Masters of Denver CO comes this scientific description:

The vision process is the same for every person. However, color perception is different in some people. Color perception (or the colors you see) depends on if parts of your eyes are working correctly. We mentioned the retina of the eye and how it is a light-sensitive tissue that communicates with the brain. This thin layer of tissue houses millions of microscopic light-sensing nerve cells that we call rods and cones. These are the cells that send impulses to your brain, interpreting colors from light waves.

Rods and cones don’t work the same in every person. They may malfunction slightly, meaning your color perception is only a little off. However, severe forms of abnormal color perception are referred to as “color blindness”. This means that people with color blindness aren’t aware of specific color differences like the rest of the population is. You may see a stop sign as being bright red, while someone with red-green color blindness sees that stop sign as a hue of green. 8% of men and 0.5% of women have color blindness. In many cases, this trait is inherited by males from a mother who had genes for abnormal photo pigments. This will make the cone cells work differently in the eye than they should.

But I digress…then I showed two sleeves with beads: picot trim and beaded net fringe.

Next we talked about adding lace or trim to a garment and then cutting away the under or base fabric. -The add and subtract method is similar to Applique but with two more steps; after the lace or trim is appliqued,

  1. Cut away most of the base fabric.
  2. Sew down the raw edges of the base fabric so you have a peek-a-boo effect through the lace or trim.

Both of these samples were Bodices: the Lace Trim chapter opener and Crochet chapter opener (the Crochet chapter was cut when we ran out of space!)

Finally, I showed Something Seriously Elegant: the Hollyhock sleeve sewn in an ornate silk jacquard and organza and Something Seriously Fun: the Loose/Single Sequin sleeve sewn in cotton chicken fabric with “wings.”

I answered some of questions from the Chat and our hour was up. I think the final sleeves summed up our talk: serious, elegant and fun! Thank you so much Joanne!

Joanne Banko and me!

Hi! Once again I’m a day late and maybe a dollar short but….

At 7 pm EDT on June 28, 2021 I will be talking with Joanne Banko on her series: Sew Tell Me…I am very excited about the show; we are going to talk about sewing, some of the samples from Creating Couture Embellishment, maintaining  your sewing mojo and lots more.  I hope you’ll join us on Zoom live here:

The recorded interview can be found here.

My work room

My work room is in my home. We have recently moved into this house (10 months ago!)  so my work room is still a work in progress. I have to think: where did I put those duck billed scissors? Or the fabric markers? Still it is lovely space: filled with light and beautiful fabrics.

At the top of the stairs from the front hall is large loft-like space; this is my workroom. Along the far wall of my room are west-facing windows that look out over the river near us.

The view from my work room at high tide

I have 2 industrial sewing machines positioned along the north wall: a straight stitch and a zizgzag machine. On the south wall I have a bamboo counter that holds a small ironing board and my industrial iron. The north and south walls also have shelves starting at 5’ off the floor and continuing up to 10’. On one set of shelves are my books of Fashion History and inspiration. On the other set of shelves are boxes of fabric that I hope to use soon.

Ellen, wearing a pin-tucked, green, corduroy shirt showing some ribbon flowers

 At my work table with some ribbon flowers

In the center of the room I have a custom made table that is 38” high and is 47.5” wide by 66” long with a dropped leaf to extend the table to 92” long. The table is topped by a large cutting mat as I prefer cutting fabric with a rotary cutter. As I work on a project I’m very good at covering every flat surface in my workroom with bits and bobs, so I try to start with all the flat surfaces cleaned off.

All of my tools and supplies have a home in a drawer or a labeled box. It makes me crazy to not be able to find something, so everything has a place to live—in theory. Of course there are a couple of boxes that have all the odd things thrown together: rhinestone setter, grommet setter, electric knife for cutting foam and a bead spinner are in one box.

I made the switch to an industrial iron and sewing machine many years ago. I was exasperated by my home sewing machine needing to be repaired all the time; I needed something sturdier. With the industrial straight stitch machine I can sew fine chiffons or thick wools with just a few adjustments of the tension discs and the stitch length. The zigzag machine is a little more complicated than the straight stich machine so I need to spend more getting the stitches just right. I also have a 3-4 thread serger. I dream of owning a cover stitch machine.

Last but not least I have a stereo in my workroom. I listen to the music, the news, audio books while working. I find the tempo of the music keeps me moving forward: Loreena McKinnett or Jesse Cook are good when working on complicated pattern changes, while Bruno Mars, Beyonce or Adele are good when working on more straight forward things.

The view from my work room at low tide

Save

Save