Head Shots

Head Shots

Thursday was a very busy: from 10 am – 1:30 pm I was in Salem, MA with Jess McDougall getting professional Head Shots (photographs.) From 3 pm – 8 pm I was at the School of Fashion of Design preparing for, enjoying and then dismantling, the Creating Couture Embellishment Book Launch Party. It was a long day but terrific!

The Photo Shoot

White Blouse on me

Head Shot- White Blouse

Jess McDougall www.jessmcdougallcreative.com in Salem is a professional photographer who specializes in Boudoir and Fitness photographs; she also does Head Shots  to use for websites and publicity pieces. I wanted new Head Shot photos as the photos I have been using were fairly informal photos that are at least 5 years old. It’s true that those photos look pretty close to how I look now but Jess’s session included full hair and make-up done by her colleague Shannon Rouvel www.shannonrouvel.com which I’ve never done before! As a child of the 1960’s I was brought up to believe that looks mattered less than what was in your head; while this is still true, what’s in your head matters tremendously, looks do matter and trying to live as thought they don’t matter is foolish. (This is a topic for another day’s blog post.) Long story short, this photo session was a HUGE gift to myself and was really fun.

 

After Shannon and I talked for a few minutes Shannon used a curling iron to curl the renegade sections of my hair that don’t curl as much as the other sections. All went along swimmingly except for one lock of hair, on the top of my head, which only curled up and would not join the other locks. Shannon curled it the down, left, to the right, … Finally it sorted of joined the rest of the crowd. I was impressed with Shannon’s unperturbed manner in dealing with ornery lock- and that this stuff happened to her too! On to make-up: unfortunately I had my eyes closed for a lot the make-up application and I can’t tell what she did. I do know that I looked amazing when she was done. Not too different, just polished and with great eyes & lip color. I need to book a make up lesson with Shannon.

Jess has a small but wonderfully light and airy  studio in downtown Salem. The small space made the session less intimidating; it was just Jess and me, casual and intimate. On Jess’s instructions, I brought 4 different shirts that were different colors and have different necklines. I did not feel self conscious or worry about anything, as Jess was clearly catching every detail in each photo. She was clear in her directions: “head forward, chin down- not so much”, “look there, now here,” “tilt your shoulders to the left.” Jess took photos of me in each of the 4 shirts and we were done!  After Jess downloaded the photos into PhotoShop, she had me choose my favorites. I chose 18 favorite photos. Jess and I looked the 18 photos together and quickly whittled the 18 down to 6 based on Jess’s comments.  So fun and easy!

Head Shot- Red Shirt

 

Me in the purple blouse

Head Shot Purple Blouse

Here are the three most formal of the photos.  Which one do you like best?

 

 

 

 

 

 

 

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Mother of the Groom Dress

Mother of the Groom Dress

My son is getting married in a couple of weeks. We are all very excited as we love my future daughter in law and her family. The entire event will be outside, from 4 – 10 pm in Massachusetts. The weather could be chilly and rainy or could be warm and sunny; what to wear?

Over the summer I asked my friend Eddi Phillps to design some clothes for me to wear on a book tour (still in the planning stages.) Eddi sketched 10 beautiful designs; we selected 6 for me make.  Eddi also helped me choose fabrics from my stash to use in this project.

Sketch of green princess line dress with swatches of fabric and trim

Green Dress Sketch

I chose this dress design for my Mother of the Groom dress.

I started by adapting my muslin from the shirtwaist dress pattern (in post #3) to a shoulder princess line dress. I sewed the bodice pieces to their corresponding skirt pieces and fiddled with vertical seams until the pieces laid flat on the worktable.

The center back seam opened so the pieces can lay flat.

The center back seam opened so the pieces can lay flat.

Here is a close-up of the back panel showing how the center back seam had to be opened up to accommodate the pattern changes. (The fabric peaking out from behind the muslin along is the lining layer.)

 

All the pieces laid out in order on the worktable.

All the pieces laid out in order.

I cut out the dress in a lovely dark teal that I bought from Zimman’s Fabrics in Lynn, MA. http://www.zimmans.com/

I cut out the lining in a dark Bemburg rayon; I love the feel of the Bemburg against my skin and it sews up beautifully.

After sewing the dress and lining I put the dress on my dress form and started to pin the trims in place. The trims are from Daytona Trimmings Co. in New York City; they don’t have a web site.

Trim pinned to the back of the dress.

Trim pinned to the back of the dress.

Designing is not my well developed area. The change from lace and rat tail in Eddi’s design to this flat, rectangular trim and rat tail trim has thrown me for a loop. I can execute a design, but making something up isn’t something I can do. I have fiddled and diddled with the trim for the better of two days and this still doesn’t look anywhere near what Eddi designed.  Argh…

Time to re-group…

 

 

 

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